By Daniel Hargreaves
Following a 6-hour road journey from Bangkok we arrived at our first destination, the painted bat village. With only two hours left before sunset, we split into two teams. One assisted Merlin with setting up the flight studio. The other went to find a painted bat to photograph in the studio that evening. Team two headed out in carts pulled by two-wheeled tractors. They quickly spit into small groups furiously searching the dried leaves of banana plants for bats.
Riding in carts pulled by two-wheeled tractors to find painted bats.
It wasn’t long before we found a single male painted bat (Kerivoula picta) hanging in a dried leaf about a meter from the ground. The bat had been banded for research, so although a good candidate, we didn’t disturb him and continued our search for more. Less than 200 meters away we found another male this time without a band. We quickly checked his weight at 4.6 grams (less than the weight of a U.S. nickel) and decided he was a perfect candidate for flight cage training.
This one was carefully placed in a soft bag, and to ensure picture and set authenticity we took the bat and the leaf he was roosting in back to the village. (There was no shortage of such leaves.) Leanne Townsend balanced precariously on the back of a moped, holding the bat and set material, as it sped to the village in order to setup for the night’s photography. As our Thai hosts prepared a banquet for their guests, Merlin got to work on the set, helped by an enthusiastic group of members fascinated to watch the master at work. As soon as the set was ready, we fed and watered the little star and released him into the studio. The group looked on as his shallow wing beats resembled that of a butterfly. He investigated every corner of the studio until he was sure there was no easy escape, then entered his now relocated roost.